This has been an interesting diversion, identifying music featuring the Emin, C, G, D chord pattern or transposition, but it is, like so much these days “unsustainable.” The pattern I’ve collected as “The Chord Progression that Won’t Die” occurs so often it’s like going on a drive from Florida to Maine and deciding to make a game of calling out every foreign-made car. It’s a fun game for about five minutes. Then you go insane.

The Son Unit is actually miffed at me for sharing the prevalence of the chord pattern with him since he now hears it so often. He calls it a “curse.” It’s hard to un-know something; still, we’re going to try.

But I will leave you with more before I kill the blog category, to pass on the curse to you.

Here it is in a trailer for a new Matt Damon flick, “The Adjustment Bureau.” Breath and Life, Audiomachine, I think. Or just hear ithere.

Going back in time, I think I’d forgotten this monster hit. Michelle Branch.

Then there’s Taylor Swift. The Son Unit says she gets credit because this was just a demo and never actually released officially.

Perhaps you’d like the progression with some eyeliner. Here’s Green Day

Let’s genre-hop it with T.I.

Let’s unplug with Damien Rice.

Wait, Damien’s not done emoting, this time with on piano

Did you hear the Fray take a turn at invoking The Chord Progression that Won’t Die?Where were you?

You hear it so often it’s almost a religious experience.

Interestingly, we’re now seeing some exploration, deleting a chord or reversing two. Augustana gets credit for stepping outside the boxwith this..

There’s always more road ahead, and now we’ve noticed variations that really aren’t variations. You’ve heard of the Circle of Fifths? We call this the Circle of Hits. What you do is place Emin, C, G, D end-to-end and draw a circle around any consecutive four chords. It’s the same progression; you’re just starting in different places on the merry-go-round. And it’s a hit machine.

Thanks for visiting. Please comment when you go insane.

I’m going to start following Ron Paul more often and his site campaignforliberty.org after seeing the video above. Of course, also after seeing this video I think I’ll also look into squatting laws in foreign lands. But what caught my attention right off the bat is the garageband track in the intro.

Now, I love the garageband library. I’ve heard garageband tracks used quite frequently, in Wal-Mart and in some McCain commercials, for instance. I’ve used it myself more than once. I think the garageband collection is one of the most useful, well-planned, all-purpose libraries I’ve ever heard. It’s free, and its ubiquity through iLife has done wonders for helping people understand the power of music in communication. In fact, garageband is why I started Fred Tunes. If there’s any place for the long tail not to be mangy and flea-bitten, it might be in the fields of music and production elements.

One of the good thing about music in productions is that it’s memorable. In the case of garageband tracks, that can also be also be a bad thing. If you recognize the track from elsewhere, the message can be confusing or lost or associated with things out of your control.

So, I’d like to offer the Campaign for Liberty my services for free. Let me make a music track for you that no one will recognize from garageband, something you can call your own. I promise it won’t be this.